Revueltas Bibliography

Aktories, Susana G. and Katherine A. Dory, liner notes to Sensemaya: The Unknown Revueltas, Camerata de los Americas, Dorian Recordings 90244, CD, 1996.

Alcaraz, Antonio. Musica Mexicana de Galindo, Chavez, Moncavo, Revueltas, Marabank ( Liner Notes). Forlane UCD 16688/16689

Arroyo, Luis Leobardo. Humboldt Journal of Social Relations 12, no. 1 (1984): 158-60. http://0-www.jstor.org.lib.utep.edu/stable/23262708.

Azuela, Alicia. “El Machete and Frente a Frente: Art Committed to Social Justice in Mexico.” Art Journal 52, no. 1 (1993): 82-87. doi:10.2307/777306.

Balthaser, Benjamin. “Cold War Re-Visions: Representation and Resistance in the Unseen Salt of the Earth.” American Quarterly 60, no. 2 (2008): 347-71. http://0-www.jstor.org.lib.utep.edu/stable/40068542.

Battisti, Frank L. 2002. The winds of change: the evolution of the contemporary American wind band/ensemble and its conductor. Galesville, MD: Meredith Music Publications.

Béhague, Gerard. “Indianism in Latin American Art-Music Composition of the 1920s to 1940s: Case Studies from Mexico, Peru, and Brazil.” Latin American Music Review / Revista De Música Latinoamericana 27, no. 1 (2006): 28-37. http://0-www.jstor.org.lib.utep.edu/stable/4121693.

Benjamin, Gerald R. “Julian Carrillo and “Sonido Trece” (“Dedicated to the Memory of Nabor Carrillo”).” Anuario 3 (1967): 33-68. doi:10.2307/779745.

Bernstein, Leonard. Page 14 of Young People’s Concerts Scripts: The Latin American Spirit [typescript on blue paper with emendations in black & blue pencil].  https://www.loc.gov/resource/lbypc.0263.0/?sp=14, accessed 2/4/2016.

Blake, Alfonso Corona, dir. 1959. Yo Pecador. Laguna Films. VHS, 1992.

Britannica Academic, s.v. “Mexican Revolution,” accessed January 28, 2017, http://0-academic.eb.com.lib.utep.edu/levels/collegiate/article/52382

Candelaria, Lorenzo. “Silvestre Revueltas at the Dawn of His “American Period”: St. Edward’s College, Austin, Texas (1917-1918).” American Music 22, no. 4 (2004): 502-32. doi:10.2307/3592991.

“Carrillo, Julián.” The Oxford Dictionary of Music, 2nd ed. rev.. Oxford Music Online. Oxford University Press, accessed January 30, 2017, http://0-www.oxfordmusiconline.com.lib.utep.edu/subscriber/article/opr/t237/e1876.

Charlot, Jean. “Diego Rivera at the Academy of San Carlos.” College Art Journal 10, no. 1 (1950): 10-17. doi:10.2307/772362.

Charlot, Jean. “Orozco and Siqueiros at the Academy of San Carlos.” College Art Journal 10, no. 4 (1951): 355-94. doi:10.2307/772725.

Chase, Gilbert. “Creative Trends in Latin American Music-II.” Tempo, no. 50 (1959): 25-28. http://0-www.jstor.org.lib.utep.edu/stable/944015

Copland, A. ‘Composer from Mexico’, The New Music, 1900–1960 (New York, 1968), 202–210
Cowell, H ‘Chávez’, The Book of Modern Composers, ed. D. Ewen (New York, 1942, 3/1961 as The New Book of Modern Composers), 443–6

“CRONOLOGÍA.” Artes De México, Nueva Epoca, no. 2 (1992): 78-81. http://0-www.jstor.org.lib.utep.edu/stable/24324717.

De La Fuente, Carla Zurián, and David A. Auerbach. “LIQUID WALLS: STAINED GLASS IN MEXICAN ART, 1900-1935.” The Journal of Decorative and Propaganda Arts 26 (2010): 12-43.

Derr, Virginia B. “The Rise of a Middle-Class Tradition in Mexican Art.” Journal of Inter-American Studies 3, no. 3 (1961): 385-409. doi:10.2307/164845.

Fernandez, Justino. Mexican Art / photographs by Constantino Reyes. London: Hamlyn, 1965.

“FILMOGRAFÍA.” Artes De México, Nueva Epoca, no. 2 (1992): 54-55. http://0-www.jstor.org.lib.utep.edu/stable/24324714.

Frank, Robert L. “Prelude to Cold War: American Catholics and Communism.” Journal of Church and State 34, no. 1 (1992): 39-56. http://0-www.jstor.org.lib.utep.edu/stable/23917258.

GARNETT, W. “MURAL PAINTING HEART OF THE ARTISTIC REBIRTH OF MEXICO IN THE 20TH CENTURY.” Artes De México, no. 5/6 (1954): 133-39. http://0-www.jstor.org.lib.utep.edu/stable/24312060.

GONZALEZ, Aurelio. “¿ Cómo Vive El Corrido Mexicano ? ¿ Quién Canta Corridos ? ¿ Quiénes Cantaron Corridos ?” Caravelle (1988-), no. 51 (1988): 23-30. http://0-www.jstor.org.lib.utep.edu/stable/40853356.

Hernandez, Juan. “The Influence Of The Mexican American Culture Upon The Arts.” American Music Teacher 22, no. 3 (1973): 32-42. http://0-www.jstor.org.lib.utep.edu/stable/43534160

Hess, Carol A. “Silvestre Revueltas in Republican Spain: Music as Political Utterance.” Latin American Music Review / Revista De Música Latinoamericana 18, no. 2 (1997): 278-96. doi:10.2307/780398.

Hughes, Langston. The Collected Works of Langston Hughes.  Columbia, MO: University of Missouri Press, 2001.

J.B. Steane. “Mojica, José.” The New Grove Dictionary of OperaGrove Music OnlineOxford Music Online. Oxford University Press, accessed January 29, 2017, http://0-www.oxfordmusiconline.com.lib.utep.edu/subscriber/article/grove/music/O009321.

Jarvinen, Lisa. The rise of Spanish-language filmmaking: out from Hollywood’s shadow, 1929-1939. New Brunswick, NJ: Rutgers University Press, 2012.

Koegel, John. “Mexican Musicians in California and the United States, 1910-50.” California History 84, no. 1 (2006): 6-29. http://0-www.jstor.org.lib.utep.edu/stable/25161856.

L.S.H. Revista De Musicología 3, no. 1/2 (1980): 310. http://0-www.jstor.org.lib.utep.edu/stable/20794731.

LEFERE, ROBIN. “Memoria Crítica, “working Memory” Y Pensar Novelesco En “La Noche De Los Tiempos” De Antonio Muñoz Molina.” Revista Canadiense De Estudios Hispánicos 40, no. 1 (2015): 157-73. http://0-www.jstor.org.lib.utep.edu/stable/24717177.

Lychner, John A. “Instrumental Music Experiences from Mexico”. Music Educators Journal, 94/4 (March 2008): 40-45.

Malmstrom, Dan. Introduction to Twentieth Century Mexican Music. Uppsala, Sweden, 1974.

Martínez, Katynka Z. “Regional Mexican Music.” Grove Music Online. Oxford Music Online. Oxford University Press, accessed February 7, 2017, http://0-www.oxfordmusiconline.com.lib.utep.edu/subscriber/article/grove/music/A2093460.

Mayer-Serra, Otto. “Silvestre Revueltas and Musical Nationalism in Mexico.” The Musical Quarterly 27, no. 2 (1941): 123-45. http://0-www.jstor.org.lib.utep.edu/stable/739461.

Mester, Jorge. Interview with Doug Ordunio. https://www.youtube.com/watch?v=rbDQvNvLnDk accessed 2/4/2016.

Miller, Jason. Langston Hughes and the American Lynching Culture. Gainesville, FL: University Press of Florida, 2011.

Miller, Tom. “Class Reunion: SALT OF THE EARTH REVISITED.” Cinéaste 13, no. 3 (1984): 30-36. http://0-www.jstor.org.lib.utep.edu/stable/41686417.

Mojica, José. Yo pecador. Mexico: Editorial Jus, 1959.

Moyseén, Xavier. “MEXICAN PAINTING IN THE MUSEUM OF MODERN ART / LA PEINTURE DU MEXIQUE AU MUSEE D’ART MODERNE.” Artes De México, no. 127 (1970): 18-104. http://0-www.jstor.org.lib.utep.edu/stable/24316022.

Parker, R ‘Copland and Chávez: Brothers-in-Arms’, American Music, v/4 (1987), 433–44

Parker, Robert. “Revueltas, the Chicago Years.” Latin American Music Review / Revista De Música Latinoamericana 25, no. 2 (2004): 180-94. http://0-www.jstor.org.lib.utep.edu/stable/3598727.

PARRA, Max. “Pancho Villa Y El Corrido De La Revolución.” Caravelle (1988-), no. 88 (2007): 139-49. http://0-www.jstor.org.lib.utep.edu/stable/40854332.

Patterson, Robert H. “An Art in Revolution: Antecedents of Mexican Mural Painting, 1900-1920.” Journal of Inter-American Studies 6, no. 3 (1964): 377-87. doi:10.2307/164913.

Patykula, John. “Manuel Maria Ponce (1882–1948)“,  Guitarra Magazine [2006 or earlier] (archive from 16 September 2016, accessed 17 October 2016).

Polcari, Stephen. “Orozco and Pollock: Epic Transfigurations.” American Art 6, no. 3 (1992): 37-57. http://0-www.jstor.org.lib.utep.edu/stable/3109102.

Pontikes, Elizabeth, Giacomo Negro, and Hayagreeva Rao. “Stained Red: A Study of Stigma by Association to Blacklisted Artists during the “Red Scare” in Hollywood, 1945 to 1960.” American Sociological Review 75, no. 3 (2010): 456-78. http://0-www.jstor.org.lib.utep.edu/stable/27801535.

Reiman, Karen Cordero. “Revueltas, Fermin.” Oxford Art Online. September 27, 1999. Accessed February 27, 2017. http://www.oxfordartonline.com/subscriber/article/grove/art/T071683?q=fermin revueltas&search=quick&pos=1&_start=1#firsthit.

Revueltas, Silvestre. Por el Mismo: Apuntes autobiograficos, diarios, correspondencia y otro escritos de un gran musico. Mexico, D. F.:Ediciones Era,1989.

Revueltas, Silvestre, writer. Colorines. Conducted by Gisele Ben-Dor. English Chamber Orchestra. 2016. Accessed February 6, 2017. https://www.youtube.com/watch?v=pw0k0BLUX_k.

Riambau, Esteve, Casimiro Torreiro, and Rosaura Revueltas. “This Film Is Going to Make History: An Interview with Rosaura Revueltas.” Cinéaste 19, no. 2/3 (1992): 50-51. http://0-www.jstor.org.lib.utep.edu/stable/41687200.

Saavedra, Leonora. “Manuel M. Ponce’s ‘Chapultepec’ and the Conflicted Representations of a Contested Space.” The Musical Quarterly, vol. 92, no. 3/4, 2009, pp. 279–328. www.jstor.org/stable/27751864.

Slonimsky, Nicolas. Music Since 1900. New York: Schirmer Books,1994.

Stevenson, Robert. Music in Mexico, a historical survey. New York: Crowell, 1971.

Stevenson, Robert. “Revueltas, Silvestre.” Grove Music Online. Oxford Music Online. Oxford University Press, accessed February 7, 2017, http://0-www.oxfordmusiconline.com.lib.utep.edu/subscriber/article/grove/music/23289.

Sturman, Janet Lynn. The Course of Mexican Music. New York, NY: Taylor and Francis Group, 2016.

Unwuchekwa, Jemie. Langston Hughes: an introduction to the poetry. New York, NY: Columbia University Press, 1976.

Vassberg, David E. “Villa-Lobos as Pedagogue: Music in the Service of the State.” Journal of Research in Music Education 23, no. 3 (1975): 163-70. http://0-www.jstor.org.lib.utep.edu/stable/3344641.

Williams, Reba White. “Mexican Modern Art.” Print Quarterly 18, no. 2 (2001): 234-37. http://0-www.jstor.org.lib.utep.edu/stable/41825976.

Womack, Jr., J. “The Mexican Revolution” in Mexico Since Independence, ed. Leslie Bethell. Cambridge: Cambridge University Press 1991, p. 125